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The list is still very West centred, only two Chinese artists Ai Weiwei (47) and Cai Guo-Qiang (69) and one project The Long March (93). In any case article below:


01. Science (Damien Hirst)

02. Larry Gagosian

03. Kathy Halbreich

04. Sir Nicholas Serota

05. Iwan Wirth

06. Jay Jopling

07. David Zwirner

08. François Pinault

09. Jasper Johns

10. Eli Broad

11. Jeff Koons

12. Steven A. Cohen

13. Daniel Birnbaum

14. Charles Saatchi

15. Brett Gorvy & Amy Cappellazzo

16. Tobias Meyer & Cheyenne Westphal

17. Marian Goodman

18. Gerhard Richter

19. Richard Prince

20. Dominique Lévy & Robert Mnuchin

21. Michael Govan

22. Marc Glimcher

23. Annette Schönholzer, Marc Spiegler

24. Alfred Pacquement

25. Matthew Slotover & Amanda Sharp

26. Barbara Gladstone

27. Matthew Marks

28. Takashi Murakami

29. Agnes Gund

30. Sheikh Mohammed bin Zayed al Nahyan

31. Dakis Joannou

32. Bernard Arnault

33. Richard Serra

34. Sadie Coles

35. Julia Peyton-Jones & Hans Ulrich Obrist

36. Donna De Salvo

37. Simon de Pury

38. Don & Mera Rubell

39. Ann Philbin

40. Paul Schimmel

41. Patricia Phelps de Cisneros

42. Michael Ringier

43. Jose, Alberto & David Mugrabi

44. Chris Kennedy

45. Bruce Nauman

46. Cy Twombly

47. Ai Weiwei

48. Tim Blum & Jeff Poe

49. Andreas Gursky

50. Olafur Eliasson

51. Harry Blain & Graham Southern

52. Jeff Wall

53. Peter Doig

54. Roman Abramovich & Daria Zhukova

55. Bruno Brunnet, Nicole Hackert, Philipp Haverkampf

56. Marlene Dumas

57. Gavin Brown

58. Victoria Miro

59. Mitchell Rales

60. Yvon Lambert

61. Mike Kelley

62. Paul McCarthy

63. Banksy

64. Emmanuel Perrotin

65. William Acquavella

66 .Lucian Freud

67. Victor Pinchuk

68. Maurizio Cattelan

69. Cai Guo Qiang

70. Maureen Paley

71. Roberta Smith

72. Peter Schjeldahl

73. Thelma Golden

74. Ralph Rugoff

75. Robert Gober

76. Iwona Blazwick

77. Richard Armstrong

78. Massimiliano Gioni

79. Jerry Saltz

80. Reena Spaulings/Bernadette Corporation

81. Louise Bourgeois

82. Cindy Sherman

83. Okwui Enwezor

84. Jeanne Greenberg Rohatyn

85. Shaun Caley Regen

86. Liam Gillick

87. Miuccia Prada

88. John Baldessari

89. Francesca von Habsburg

90. Christian Boros

91. Nicholas Logsdail

92. Subodh Gupta

93. The Long March Project

94. Paula Cooper

95. Peter Nagy

96. Casey Reas

97. Anita & Poju Zabludowicz

98. Guy & Myriam Ullens

99. Laurent Le Bon

100. Thomas Kinkade


Entrants on the Power 100 list are judged on the following four criteria, each of which carries a 25 percent weighting.

1. Genuine influence over the production of art: entrants must exert influence over the type, style and shape of contemporary art being produced in the previous 12 months.

2. Influence on an international scale: as the list is international, entrants must exert influence on a global scale rather than as big fish in small-to-medium ponds.

3. Financial clout: entrants are judged on the extent to which they have shaped, moulded or dominated the art market, whether as artists, dealers or collectors.

4. Activity within the last 12 months: entrants are judged on having actually done something during the period September 2007 to August 2008. It's not enough to sit on your powerful behind.



The 2008 edition of the Power 100 marks the second time Science/Damien Hirst has made it to number one (2005 was the first). In a year that began with the setting of new auction records for contemporary art and ended in global financial crisis, Hirst overshadowed and outshone, becoming the first artist to bring his work directly to auction (at Sotheby's London in September), and grossing £111 million in the process.


The top 10 also includes Kathy Halbreich, the first woman to appear on her own in the top 10. Ranked third, behind Hirst and gallerist Larry Gagosian, she is the newly appointed Associate Director of MoMA, New York, and the first of 32 women on this year's ranking of art world players in a list traditionally dominated by men.


As the global credit contagion spreads, financial institutions take a tumble in the art world, with both UBS and Deutsche Bank, longtime key art sponsors, ranked 62 and 63 respectively in 2007, falling off the Power 100 in 2008. In another sign of troubled times, a 'flight to quality' has seen the stock of the most established artists rising strongly. Lucian Freud (66) is included on the list for the first time this year, after achieving the highest price paid at auction for work by a living artist, while Jasper Johns (9), a veteran of the Power 100, breaks into the top 10, with a major retrospective at the Metropolitan Museum of Art, New York.


Other artists with momentum include Takashi Murakami (28), a superbrand in hot pursuit of Damien Hirst's business model, coming in at 61 places above his 2007 ranking for a year that saw a major exhibition of his work, including a Louis Vuitton store selling Murakami's own branded products, travel across the US and draw record numbers of museum goers. The list also includes the first street artist, Banksy (63), whose popularity and rising artworld presence have been credited with inspiring Tate to stage their first street-art show this past summer.


Ongoing artistic and financial strength in emerging markets has seen new listings for collectors Roman Abramovich and Dasha Zhukova (54) and a strong rise by Chinese artist Cai Guo-Qiang (69, from 99 in 2006), with first-time appearances by the Beijing-based Long March Project (93) and Delhi-based gallerist Peter Nagy (95).


The seventh annual ranking of the most powerful players in the contemporary art world – the ArtReview Power 100 - is published in ArtReview's November issue.


The 2008 list of the contemporary art world's top 100 artists, gallerists, collectors, and curators was compiled by ArtReview staff in consultation with a global network of contributing editors and an invited international panel, including media artist and newly appointed director of the Rhode Island School of Design, John Maeda, art critic and TV presenter Matthew Collings, and architect and professor Greg Lynn (recipient of the Golden Lion at this year’s Venice Architecture Biennale).


Entrants are judged on four criteria: genuine influence over the production of art, international weighting, art-market relevance and their contribution to the art world over the past 12 months.


ArtReview is a defining voice in the contemporary art scene, a monthly magazine published since 1949 and distributed throughout Europe, the US and Asia. Featuring profiles, news, reviews, city guides and specially commissioned artworks by established and emerging artists from around the globe, ArtReview is essential reading for a global community of artists and gallerists, collectors, curators – and indeed for anyone with an interest in art.