NEW YORK—Chinese-born, New York–based artist Zhang Hongtu’s recent experiences with Chinese authorities in the run-up to next month’s Olympic Games have left him “very angry,” he told ARTINFO yesterday. Zhang, who shows in New York with Cheryl McGinnis, had a container of his work seized by Chinese customs at the beginning of the month. Inside the case were several large-scale pieces intended for an exhibition at the new Beijing gallery of his Taiwan-based dealers, Lin & Keng, and one smaller painting intended for the “Go Games, Beijing” exhibition to which Zhang had been invited by its German organizers, Brands United.

This, it turned out, was the piece that caused the trouble. Bird’s Nest, in the Style of Cubism (2008) is typical of Zhang’s work in its ironic melding of Western and Chinese imagery and styles. As the title suggests, it represents the Beijing Olympic stadium — popularly called the “Bird’s Nest” — in a convincing mock-Cubist style. This treatment occurred to the artist, he said, “because, as a building without an exterior, it looks deconstructed anyway.” The canvas also features Cubist-like lettering in both English and Chinese. The Chinese phrases refer to the Olympic torch and the slogan “one world, one dream”; the English words are “Tibet” and “Human Right[s].” There are also repeated figure 8s, a number that is said to be lucky in Chinese numerology. (Zhang pointed out that the 2008 games are scheduled to begin at 8 p.m. on August 8 [8/8/08].)

The official reasons for seizing the picture, according to the artist, were that it contains “unacceptable” wording, that the depiction of the stadium “isn’t good enough,” and that the color scheme of the picture “is inappropriate: too dark and dull.”

In his repeated attempts to get the work released, either to China, Taiwan, or back to New York, Zhang has met with numerous frustrations, including the fact that Chinese authorities had reported the customs officer who seized Bird’s Nest to the police for possession of an "objectionable" picture. Zhang and his dealers Lin & Keng continue in their efforts.

I had the chance to buy in USA the work by Duan Jianghua! That reafirms me in the idea to buy the work of Duan, I beleive is a really Museum’s work. It’s not only a strong work, but it represents also the effort of the Chinese artist in going forward to the limits imposed by the Chinese governement. They have also difficult to paint the Olympic stadium in a contemporary idea, not just it looks like!

If the authorities are so strict, which works of my collection could be exhibited in China!!! That news reafirms me in the idea to collect « compromised » works by Chinese artists.